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- Common Ground has revised its weblog — on 2009/05/05
- Community Newsletter November 2008 - Journal News — on 2008/11/27
- Community Newsletter November 2008 - Community News — on 2008/11/27
| The Influence of European Arts on Bagh-e-Golestan: The Qajarid Garden | ||||||
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In this article the evolution of the qajarid garden in Iran will be surveyed and the influence of European art on it will be discussed. |
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| Space and Pedagogy: Explorations of Space through Poetry and Contemporary Art Practices in India | ||||||
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This presentation’s primary focus is to study dimension, space and environment impact the practice of an artist and finally how does an artist impact the environment he/she lives in. |
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| Locus Solus | ||||||
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Attempts by one medium to integrate the technical procedures of another medium |
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| Post-pastoral Ceramics: A Distinctive Ecological Language | ||||||
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In this paper I argue that ceramics presents a distinctive language within ecological culture, resulting in theoretical nuances of Terry Gifford's concept of post-pastoral. |
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| On the Threshold-looking In: Bakhtin’s Concept of Dialogue in Visual Art Education | ||||||
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This paper reflects on the application of Bakhtin’s philosophical concept of dialogue in visual art education. |
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| The New Triple A Art, Archive and Artefact – At the Military Museums Lessons and Implications from a Converged Environment | ||||||
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Case study of a new military art gallery exhibition developed as a pilot for successful convergence of art, archive and artifact to support exhibit development and academic research. |
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| Pedagogy, Programs, Projects and Partnerships | ||||||
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In an atmosphere of cultural vibrancy Eltham High School has shown a commitment to enhancing learning opportunities, educational outcomes and creative partnerships by utilising the artistic capital in the community. |
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| Fluidity, Shift and Bloom: Understandings of an Oceanic Sublime in an Age of Ecological Collapse | ||||||
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Examines ways in which current arts practice acknowledges the role of the ocean as a site for the contemporary sublime in a world of global mobilities and threatened ecosystems. |
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| The Violence of the Unsaid in Van Sant’s Elephant and Paranoid Park: The Active Role of the Viewer in Creating Narrative Meanings | ||||||
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The films Elephant and Paranoid Park require a philosophical attitude of the spectator since he must think and reflect on what’s going on while watching the film. |
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| The Postcolonial Sentimental: Imagining Cornelio | ||||||
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A Filipino American artist’s postcolonial, diasporic consideration of sentimentality as potentially transgressive and transformational in contemporary, global art |
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