This paper investigates of the role of community projects for arts practitioner and researchers and the impact of their work on audiences. The Shanghai Street Artspace, set amongst the crowded Yaumatei and Mongkok Districts of Hong Kong, is directed by Victor Lai, and has been operating under its current community arts focus for the past two years. Nowadays the Artspace is a place where painters, photographers, writers and musicians exchange ideas and experiences with the local inhabitants and commercial entrepreneurs. Groups who use the space range from Cantonese opera troupes to singer-songwriters; market-stall holders to investment bankers; ‘Ladies of the Night’ to fortune tellers. Jane Davidson participated with Victor in the project entitled: ‘Street life of Cantonese Opera Singers’, and this case will provide the primary focus for the current discussion. The paper demonstrate that it is those personal motivations that allow participants to make a reflective turn to value aims and community objectives. Data included recording and analysing the biographies and working practices of the Cantonese opera singers alongside those of the project director and the principal researcher. Analysis showed how these stories impacted positively on the overall Artspace philosophy, and helped to shape subsequent work.
|Keywords:||Reflective Practice, Biographical Enquiry, Community Arts, Cantonese Opera, Hong Kong Street Life|
Professor, School of Music, University of Western Australia, Australia
Head of Creative Arts, Creative Arts, Hong Kong Institute of Education, Hong Kong
There are currently no reviews of this product.Write a Review