Fragmentation, Found Footage and Fallen Facades: New Austrian Film and Postmodern Anxiety
An examination of the shifting representation of Austrian national cultural identity, internal and external relationships, and the role of the medium in postmodern New Austrian Film.
||Austria, Film, Culture, Postmodernism
International Journal of the Arts in Society, Volume 1, Issue 1, pp.45-50.
Article: Print (Spiral Bound).
Article: Electronic (PDF File; 1.644MB).
Robert von Dassanowsky is Professor of German and Film, Chair of Languages and Cultures, and Director of Film Studies at the University of Colorado, Colorado Springs. He is founding Co-Director of the Austrian American Film Association, founding Vice President of the International Alexander Lernet-Holenia Society and is active as an independent film producer. Additionally, Dassanowsky serves as Editor of the Gale Encyclopedia of Multicultural America, as Editorial Advisor to the International Dictionary of Films and Filmmakers, and as a columnist for Austria's cinema magazine, Celluloid. His most recent book, Austrian Cinema: A History, is the first comprehensive study of Austria's film art and industry in English.
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