Beyond Collaboration and Resistance: The Cinema of Occupied France, 1940-44

By Judith Holland Sarnecki.

Published by The Arts Collection

Format Price
Article: Print $US10.00
Article: Electronic $US5.00

An introduction to the prolific and controversial film production in France during the Nazi Occupation emphasizing paradoxes, contradictions, and the exclusion of Jews and homosexuals.

Keywords: French Cinema, Nazi Occupation of France, Continental Films, Bertrand Tavernier, "Laissez-passer"

The International Journal of the Arts in Society, Volume 1, Issue 5, pp.145-152. Article: Print (Spiral Bound). Article: Electronic (PDF File; 1.716MB).

Professor Judith Holland Sarnecki

Professor Judith Holland Sarnecki has edited introduced and contributed to a collection of essays, Subversive Subjects: Reading Marguerite Yourcenar, Fairleigh Dickinson University Press, 2004. Her recent article, “Double Take: Louis Malle’s Competing Versions of France Under Nazi Occupation,” appears in a special issue of Women in French: French/Francophone Culture and Literature Through Film, eds. Catherine Montfort and Michèle Bissière, 2006. She is currently writing a book on the cinema of Occupied France.


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