Beyond Collaboration and Resistance: The Cinema of Occupied France, 1940-44
An introduction to the prolific and controversial film production in France during the Nazi Occupation emphasizing paradoxes, contradictions, and the exclusion of Jews and homosexuals.
||French Cinema, Nazi Occupation of France, Continental Films, Bertrand Tavernier, "Laissez-passer"
The International Journal of the Arts in Society, Volume 1, Issue 5, pp.145-152.
Article: Print (Spiral Bound).
Article: Electronic (PDF File; 1.716MB).
Professor Judith Holland Sarnecki has edited introduced and contributed to a collection of essays, Subversive Subjects: Reading Marguerite Yourcenar, Fairleigh Dickinson University Press, 2004. Her recent article, “Double Take: Louis Malle’s Competing Versions of France Under Nazi Occupation,” appears in a special issue of Women in French: French/Francophone Culture and Literature Through Film, eds. Catherine Montfort and Michèle Bissière, 2006. She is currently writing a book on the cinema of Occupied France.
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